Finally a new reviewer is picking up on the obvious, that abbey tapes is fantastic. And on p. 110, the two Lol Robinson albums get excellent reviews. Really happy that Phil’s and Allan’s books and music are getting some additional attention- and in the same issue as such revered musicians as Levon Helm, Ashley Hutchings, Wishbone Ash, David Crosby, Jimmy Page, and the Incredible String Band. Here’s Ian Maun’s review in Stick it in Your Ear: http://www.siiye.co.uk/E28/PAGE_116.html
I’m pleased that my flute part in “The Comb Song” is described as adding “hiraeth”, the Welsh word for longing, nostalgia, homesickness and mysticism to the song.
Check out other issues in this great little e-zine edited by Geoff Walls, UK music writer and a biographer of Ashley Hutchings.
August 22, 2014- I played a set with the brilliant Mark Merriman at Angela’s- an honor. I will join him again in the future for some gigs with his band Celtic Plain.
I’ve put together a video for ‘The Comb Song’ from abbey tapes, my shining moment on flute- I hope it does it justice. I’m such a fangirl. Please share and if you don’t have it already, get the CD from Terry at firstname.lastname@example.org or download from Amazon or iTunes.
The music by the haunted bandmates in the novel December by Phil Rickman… a unique fusion of fiction and music.
Fairies, a dark wood, lost love and flute music. Have a listen – I’m proud to be on this lovely song by Allan Watson, from the Candy Seance album On a Fine May Morning.
Blog from the Snakepark has a page about the new Candy Seance album with photos, credits, and artwork created by Allan’s friends to illustrate each song.
Here’s Teri Rowan’s lovely image designed for “The Water and the Grain”. A fairy with a flute! The song is a haunting lament by a lad seduced by the May Queen, a sort of Tam Lin tale.
The new songs from Candy Seance are now available! I’m pretty excited about my flute parts on “The Water and the Grain ” and “The Lady of the Runes.” Allan’s songwriting and guitar playing, composing and arranging, recording and producing, mixing and equalizing (whatever that is) are outstanding. It’s a wonder he isn’t a household name rock-n- roll star. I’ve been privileged to see the evolutions of the songs through their various demo versions and changes to the final product. Would love to play sometime in person with Allan, but I’ve made do with my USB microphone, Audacity recording software, and emailing of files some 5,000 miles away to Glasgow. Thanks, Allan, for the collaboration.
The album is a free listen/download from SoundCloud:
On a Fine May Morning
I have the dubious honor of appearing in the infamous Dead Man Talking interview series! http://allanwatson.blogspot.com/2012/11/dead-man-talking-6-julie-adams.html
Strachan, a most cantakerous and opinionated interviewer for a dead guy, teases me unmercifully about my involvement in the Abbey Tapes, the upcoming audio book of December, my political leanings (the interview came out on US election day), my dream band picks, and um …. wind. Good for a laugh or 3! I’m still waiting for my broken lawnmower prize.
Strachan’s other victims – er, interviews- include Bill Booker, Christopher Fowler, F.G. Cottam, Phil Rickman and Caitlin Sagan. So I am in excellent company! There’s comfort in numbers. Leave it to Allan Watson to reinvent the interview.
Richard Winham and I talked about the Abbey Tapes project and played many of the tracks on WUTC.org, the NPR station at the Univ. of TN at Chattanooga. It was an hour long radio program airing in February 2012. That interview and our March program on the 2 Hazey Jane II CDs are here for download: https://spideroak.com/browse/share/Julie_Adams/Radio
Richard commented that the music was beautiful and stood on its own even apart from the books and that this fiction/music collaboration was unique. I’ve been listening to Richard’s fantastic radio programs for years, so it was a thrill to meet him! In fact it was he who introduced me to the music of Richard Thompson and other artists that surprisingly few Americans know about.
With Phil’s permission I’m posting the awesome CD cover art by Bev Craven.